|
NOTE:
|
|
AMERICAN PSYCHOLOGICAL ASSOCIATION RECOMMENDS THE BOOK AND COLLEGES LISTEN
Book Description In the late 1940s, Charles Carroll and his brother, Bobby, had the misfortune of being hard-to-place foster children in New Jersey, so the "powers that be" reclassified them from "orphan" to "retarded" and in 1950, exiled them to a state-mental institution where they remained for ten years, deprived of their civil liberties, a right to an education, and denied any semblance of a humane existence.
GENRE BESTSELLER On September 18, '2006, HARD CANDY made #1 on the Canadian Amazon bestseller list for the genre, Family/Childhood. In the U.S. on February 1, 2008, the book took #3 on the Amazon bestseller list for the genre, Memoir/Biography. On October 20, 2008, the book made #2 on the Amazon bestseller list for the genre, Dysfunctional Relationships, and on October 23, 2009, HARD CANDY made the Amazon bestseller list for the genre, Child Abuse—and continues to land on these bestseller lists. NOTE: These genre bestsellers are the avenues by which some of its "better books" become national bestsellers.
Mr. Carroll, I fully share your view that awareness and education are essential to child abuse prevention. and I do wish you every success with your project.
Henry Waxman
Mr. Carroll, It's evident that you are committed to standing up in the face of injustice--may you continue with that depth of commitment in your writing and all that you do. —Elie Wiesel Recipient of the Congressional Medal of Honor Nobel Prize Winner Author of More Than 40 books
HARD CANDY is important and brave, comprehensive, real, and ever so true. It opens us to the real culprits of sexual abuse—the people, the secular authorities, to whom we've entrusted our children. It talks about who does it, how it happens, why it happens, how to recognize it, and what to do. Charles A. Carroll opens the doors on our society's most hidden plague, the sexual abuse of boys.
—Chuck Rosenthal Author of the book: Never Let Me Go: A Portrait of Sexual Predation
There is one thing wrong with this book! If I were the publisher of this book, I would have insisted on titling it A Terrible, Terrible Crime or some other terribly dramatic title so that it would better attract the morbid curiosity of the mass reading public, become a bestseller and help end a terrible crime. This book deserves to be a bestseller! —Art Kunkin Founder, Publisher and Editor Los Angeles Free Press
The story Carroll tells will read like wild fiction to some readers. But I can attest that the Hell he describes is no exaggeration. My mother worked at state mental hospitals in Michigan in the 1980s and 1990s. I worked in private care, lasting all of three months. As an attorney, I represented several private psychiatric hospitals, orphanages, and child care facilities, public and private, in sex abuse and wrongful death cases. I learned what "positional asphyxia" can do to the body of a child, and how hard it is to find a resident who has wandered away before he freezes. Much of it I'm bound by privilege not to repeat. But I've seen enough to know that Carroll's story is true. http://laurajames.typepad.com/clews/2006/11/ —Author, Laura James, Esq. Crime Historian/Proprietor of Clews Writes blog on crime and its history
|
|
When I set out to write HARD CANDY I wanted to believe in the system. I wanted to believe things had changed, and I wanted to believe the public myth that is doesn’t happen anymore. Had I learned it was otherwise, I would not have written this book, because with my story alone the reader would have come way concluding, oh, well, that was more than 40 years ago, it doesn’t happen anymore. Ladies and gentlemen, the evidence is clear. The atrocities are current, ongoing, and tragically appalling—a sour tasting elixir that injected iron in my backbone and sulfur into my blood—to be the voice for victims who, today, are still trembling behind closed doors awaiting redemption from their abusive reign of terror at the hands of trusted civil servants. |
|
HARD CANDY is a human portrayal of an uncommon nature. No one thing contributes more to its value than its authenticity, but be forewarned, you will not find literary frills, polite language, soft corners of prose, soothing seams of dialogue, happy jingles or joyful songs, but you will find a thread of love that weaves together the entire story—a story about a special devotion shared between my brother and me; how we cared for each other when no one else would; how we understood each other when no one else did; and how we desperately clung to the needed components of love and friendship to survive together the horrific reality.
HARD CANDY will give you a glimpse into the bleak world of institutional “bad guys”—administrators, trusted civil servants, and resident monitors that stood side by side with idiots and madmen who deliberately committed atrocities against these children, causing many to flee into an unconventional brand of protection, which was a futile attempt to gain some semblance of refuge because there was no legitimate protection for them. After suffering a decade of abuse, at sixteen, I was released from the mental institution carrying the scars from having been denied my civil liberties, a right to an education, and any semblance of a humane existence—and because there was no habilitation I felt lost and floundered for a number of years within the broad public spectrum of human progress.
|

|
Charles A. Carroll Though I was released from the state system with barely a third grade education, but gifted with an insatiable appetite for learning, I became a frequent resident of public libraries, reading every academic book I could get my hands on. After acquiring a bit of confidence, I entered adult night classes at Hollywood High School and quickly earned a diploma. To make sense out of the social system that failed Bobby and me, I transferred to Los Angeles City College and eventually earned an Associate Degree in Sociology. Unsatisfied, I transferred to California State University at Los Angeles maintaining a major in sociology, a minor in psychology, with an emphasis in Corrections. Then, while attending the final quarter of my senior year I received a formal letter from college administrators announcing cap and gown arrangements for graduation. Uninterested in an upper division degree, it gave me pause. Having solved the riddle how the social system worked and failed, and now better equipped to one day write a book that would give a voice for victims, I left college, took the State Electrical License exam, passed, opened a successful contracting business in Los Angeles, and I subsisted on that business for the next 25 years—but not without the daily reminders of the tormenting screams of yesteryear’s children still pounding on the walls of my soul, pleading that I one day redeem them. Finally, in 1989, I heeded their calling, closed my business, and began a six-year journey investigating New Lisbon and other state institutions like it across the country. And as part of my research project, I worked undercover at two residential mental health facilities to see if patients were being treated well. What I witnessed left me appalled. On the last leg of my journey, I went to the Star-Ledger, told them my story, and asked if they would go with me to New Lisbon unannounced. They agreed. There, I sat the CEO down for a serious talk. He was evasive, coy, untruthful, and not appreciative of my visit. The Star-Ledger ran the story. The front page headline read: MAN REVISITS HIS 'NIGHTMARISH' CHILDHOOD HOME. Finished with my shoe leather investigations, I set out to write HARD CANDY with the hope of making a profound difference.
Bear in mind, what happened to my brother and me stained our psychology, wreaked havoc with our spirit, and incubated an emotional worm that drilled holes in and out of our psyches until what was left of our psychology resembled the appearance of Swiss cheese. We had to fight off not only the sexual predators of the past who repeatedly raped us over and over again in our photographic memories (such is the case long after the predator is gone), but also deal with the lingering side effects of gender issues, sexuality, masculinity, bonding, trusting others and a host of other problems mandated by having been chronically abused for years—something like living with the erratic splashes of a Jackson Pollock painting, harbored by the dissident crescendos of a Stravinsky temperament. Yes, the innocent pay a life sentence for the guilty, but however challenging life’s journey, quitters we were not, fighters we were, who like wild horses, we refused to be broken—and that is the essence and strength of our remarkable story of survival.
BUT WAIT! Again, this is not just a true story of yesteryear, as HARD CANDY dispels the myth that it doesn’t happen anymore. Though protective mandates have been in place to protect these children for years, they haven’t worked. The evidence from my research is clear; the abuses are horrendous and have already crept into the Twenty-first Century. Think not? Read what the U.S. Justice Department found behind closed doors in the appendices of the book, or click on the following links to read more about the criminal abuses still going on today. You’ll be appalled by the findings.
|

|
DISTINGUISHED KUDOS |
|
THE PUBLICIST SPEAKS
Are you an advocate for victims belonging to a group seeking a keynote speaker? Mr. Carroll is an award-winning author—-and his book is a genre bestseller. He has spoken on the national, state and local levels, has lectured at colleges, rape centers, child abuse action committees and mental health organizations, advocating a voice for institutionalized victims still being gagged by state bureaucracies who continue to run their operations short of the Stone Age of insanity. Join the author in a memorable one-hour presentation that includes author interviews on NPR, PBS, and ABC television, a PowerPoint presentation, readings from the book, and why he wrote it—with a surprise ending. You won’t forget this one. Email the author: hardcandy.2@Netzero.com
|
|
Adapted to the screen from the book is a screenplay titled
Contact the author: Hardcandy.2@netzero.com |
|
...AND YES, THERE IS A SCREENPLAY |


|
2005 |
|
BOOK AWARDS |
|
HARD CANDY won the 2005 MIPA Book Award, receiving Honorable Mention for Memoir/Biography from the Midwest Independent Publishers Association. |

|
HARD CANDY won the 2006 Hollywood Book Festival Award, receiving Honorable Mention for Biography/ Autobiography for greater recognition from the film and television communities—-literature worth further consideration for the screen. |
|
2006 |
|
NEW LISBON (Deaths and Abuses Continue) |
|
STATE DEATHS (Nationwide / Children) |
|
E-BOOK (U.S. Justice Department) |








|
MUSIC: Richard Burmer, Across the View |
|
Until you heal your past. . . you will continue to bleed, bleed, bleed |
|
WHY I WROTE THE BOOK |











|
THE VICTIMS |




|
(happier times) Photos taken shortly before the brothers were wrongly committed to a state mental institution |
|
Charles and Robert Carroll |
|
Charles Carroll (First Holy Communion) |
|
Charles Carroll |
|
Charles and Robert Carroll |
|
Charles Carroll |
|
WED BROWSER ALERT |
|
HARDCOVER $30.00 NOW ONLY $12.00 (plus shipping) |
|
PAPERBACK $20.00 NOW ONLY $9.00 (plus shipping) |

